Christine Cetrulo
Spanning 30 years, my fiber art has been published, purchased, and exhibited throughout Kentucky and from California to Georgia and from Texas to Wisconsin. I notably was exhibited at the National Quilt Museum and the International Quilt Festival. I was juried five times into the prestigious international Sacred Threads Exhibits and select work has toured galleries across the country. I was co-chair of Quilt Artists of Kentucky for 10 years and curated over 35 exhibits.
Retired from the Department of English, University of Kentucky, I taught writing, literature, rhetoric and pedagogy and served as Associate Director of the Writing Program, the largest academic department on campus. I was honored to receive the College of Arts and Sciences first Professionalism Award. My work with faculty from 50 departments informs my art. When I retired, I took my books and my imagination with me.
My art is autobiographical narrative. I always seem to start with the title and allow it to drive the inherent story. I invest myself totally in my work, constantly studying color and form and benefitting from on-line courses in watercolor, color theory, and behavioral sciences.
I teach adolescents, adults, senior citizens, including many who have faced traumas. Art personally has aided me to recover from various traumas, and I should like to assist others in feeling and power and luxury of healing art.
Fiber art can be a roadmap for your journey, calling you to deep attention and intention and opening you to self-discovery. Art-as-healing is your birthright as a human and can offer you your highest potential. No matter who you are, your art–be it scribbles or forms–allows your imagination, your intellect, your emotions to become visible, and quite possibly help another.
PRINTING WITH INDIAN WOOD BLOCKS
Block printing has been used in India since at least the 12th century, and the method
is thought to be 2,000 years old. Fabric and paper are printed in what can be laborious designs with the use of intricately hand carved wood “stamps” dipped in a mix of colorful dyes.
The block printing you will do in this session will be meditative and can take a free form nature. The catalyst for your interest will be a number of samples I provide, so be sure to survey them when you have time.
I shall provide the water-based paint, the substrate (fabric or paper), a set of simple instructions, and DOZENS of Indian wood blocks in the shapes of animals, people, geometric designs. No painting experience is required. I invite you to have fun and relax while exploring the colors you choose and the designs you create.